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Harlowe × Adele Chan

A point of view built into it. The story of the Sol 30W Adele Chan Edition — and the refusal it started from.

The Harlowe x Adele Chan Sol 30W Edition beside a mirrorless camera and its round carrying case

Sol 30W Adele Chan Edition — deep pine green, copper-toned detailing, and a case made for it.

It began with a refusal

Neither Adele Chan nor Harlowe wanted another portable light defined only by being smaller.

Smaller is easy. It is also the wrong ambition. A tool built for an observant creator has to do three things at once: be immediate enough to preserve the moment, complete enough to shape a face or an object, and considered enough to belong beside the camera rather than beneath it.

Most portable lights choose one. Compact bodies give up coverage. Lights with real output arrive as a kit of parts — a bracket, a speed ring, fabric to fit — and by the time the modifier is built, the thing you noticed has moved on.

The collaboration began with a shared refusal.

That refusal is why this Edition is not a name printed on a standard colorway. It is a complete visual and working identity: a finish, a carry system and a point of view that arrived together.

Who decides what deserves to be seen

Photographer Adele Chan raising a rangefinder camera to her eye, framing a shot

Adele Chan — photographer, and Editor-in-Chief of NYLON Singapore.

Adele Chan has spent more than two decades in a role most people never think about as a craft: deciding what makes the frame, and what is left out.

  • Editor-in-Chief of NYLON Singapore — conceiving and photographing covers, portraits, beauty and fashion stories, often carrying an idea from its first sentence to its final frame
  • Author of the three Editing Beauty books
  • Face Value, a solo exhibition at Leica Galerie Singapore
  • We The People of Singapore — documentary portraits of essential workers
  • Image projects with international camera and technology brands

Her practice is grounded in what she calls real photography: composition, camera settings and lighting should make the image — not leave it as a rescue operation in post.

Which is a demanding position to hold when you work the way she does: across cities, formats and devices, often with no time to build anything.

Sol 30W on a tabletop stand lighting a white ceramic bird with a soft, gradual falloff

The full 160 mm face is the source. Light falls off gradually across the form, with no hard edge to correct.

Four steps, four decisions

The clearest way to explain this Edition is to follow how she works. Each step in her rhythm turned into something specific about the product.

01

Notice

The eye comes first.

She begins with people, gestures, colour and tension — never with equipment. A light that announces itself breaks that attention before the work starts. So Sol 30W had to stay quiet: quiet in the room, and quiet in the hand.

02

Move

Creation is rarely stationary.

Her work crosses cities, formats and devices in a single week. That ruled out anything that lives in a gear closet. The Edition had to be an object that belongs in a creator’s daily rhythm — carried, not deployed.

03

Reveal

Light should clarify intention.

The entire 160 mm circular face is the emitting surface, with diffusion already inside it. It shapes a subject without making the technique louder than the story — and it does so straight out of the case, with nothing to assemble first.

04

Pass it on

One story begins another.

The project does not end with her. She makes the first work, then hands the light to the next creator carrying the same question.

Close-up of the two copper-toned dials and integrated display on the rear of the Sol 30W

Two dials and a display, on the light itself. Rotate, press, lock — the decisions stay where your hand already is.

The case is part of the idea

The round case does more than protect the light. It completes the object: light, control and carrying system conceived as one thing rather than an accessory bought afterwards.

Deep pine green and restrained copper identify the Edition without turning a professional tool into costume. Knurled metal, stitched leather and solid hardware are not decorative luxury signals — they are the surfaces a mobile creator touches repeatedly, made visible because daily use is part of this Edition’s character.

Its value cannot come from colour alone. The finish must be earned by the light quality, tactile control, durable construction and the work made with it.

Close-up of the crossbody strap hardware and stitched leather on the Sol 30W carrying case

Worn crossbody or over one shoulder, finished with a badge carrying the Harlowe name and Adele Chan’s signature.

Colour, when the story asks for it

White light when truth matters. Colour when the scene needs something else. The Edition carries the full RGBCW range with HSI control — not as a menu of effects, but as a way to set distance, tension, memory or mood in camera rather than recovering it in the grade.

Sol 30W Spectra showing saturated red output beside its deep pine green carrying case

Colour decided at the moment of the frame, not afterwards.

A relay, not an endorsement

This is where the collaboration differs from most creator editions.

Black and white portrait of Adele Chan framing a shot with her camera

She makes the first chapter, then passes the light on.

Adele sees a story, takes the light from its case, and makes the first chapter without building a set around the moment. She shares the finished work and the choices behind it — then passes the light to a creator whose eye she trusts.

Each creator adds a chapter and answers the same question. Over time the campaign becomes a living archive of how different people choose to see.

What story deserves your light?

Explore the Edition

Harlowe × Adele Chan Sol 30W Spectra Creator Kit